I am very glad to see Milan, after eleven years he passed away, finally pays a tribute to Luigi Veronelli, one of its most famous sons, fundamental figure in the history and communication of Italian wine and food. To tell the truth, the tribute of Milan to Luigi Veronelli has begun on January 2015, by dedicating to him an interesting exhibition with the evoking title “Camminare la Terra” (Walking the Land) at the “Triennale” building. The exhibition has therefore moved to Bergam in the Monastery of Astino and ended on 31 October 2015, the same day in which Expo 2015 ended too. After eleven years, Milan finally dedicates a street of the city to Luigi Veronelli, the city where he was born in 1926. This street, a “promenade” to be precise, is in the Isola district where the Veronelli family had a house in Carlo Archinto square and where the great Gino spent his youth. On this regard, Isola district of Milan certainly is the best way to pay a tribute to Luigi Veronelli.

 The decision has been announced on September 2015, however the official inauguration of “Passeggiata Luigi Veronelli” has been celebrated on 30 November 2015. The promenade is found in the new urban complex called “progetto Porta Nuova”, built in the Isola district and culminating in Gae Aulenti square, near the Pelli tower and the residential center called “Bosco Verticale”. Passeggiata Luigi Veronelli in fact joins Gaetano De Castilla street to Gae Aulenti square, not so far from Carlo Archinto square, where the great Gino was born in February 2nd, 1926. Today this area has of course changed since the times of Luigi Veronelli: something normal as things change and evolve according to needs and time. From Gaetano De Castilla street, the promenade offers a beautiful sight to the complex built in Gae Aulenti square, whereas from the opposite side it is possible to see “Bosco Verticale”.

	The plate of “Passeggiata Luigi Veronelli” near Gae Aulenti square

 As far as I know, Milan is the seventh municipality in Italy to dedicate a street or square to Luigi Veronelli and I wish it will not be the last. The other municipalities of Italy to dedicate streets or squares to Luigi Veronelli are Bergam, Fivizzano (Massa Carrara), Vigolzone (Piacenza), Zola Predosa (Bologna), Castelvetrano (Trapani) and Menfi (Agrigento). Fundamental figure for the communication of wine and food in Italy, it is undeniable the huge job done by Luigi Veronelli has strongly influenced the recent history and development of wine, grapes, food and olive oil in Italy. I in fact believe no one can deny this: without the contribution of Luigi Veronelli, today the world of enogastronomic communication in Italy would not be the same and would not get so much attention. I am also convinced without the effort and commitment of Luigi Veronelli - he began writing about wine and food in the 1950s - today many writers would simply do something else.

 I am also aware this is particularly true for myself - although I am absolutely aware to be so far away from his greatness and style - as I admit I owe very much to the reports and books written by Luigi Veronelli. My very first readings about wine were in fact written by the great Gino, charmed by his inimitable style in telling wines and food, a style sometimes badly and awkwardly copied by presumptuous pens or keyboards with ridiculous and piteous results. Luigi Veronelli's style belonged to him only, fruit of his culture and knowledge, great artist in creating neologisms of great effect, still today alive and significant. I like to mention, among the many expressions created by Luigi Veronelli for wine and still today alive, vino da meditazione (meditation wine), vino da favola (fabled wine) and vino di zerga beva (a wine with personality inviting to enjoy it more and more), to which are added the terms nerbo (vigorous wine), stoffa (texture) and the list would be long and amazing. Luigi Veronelli has been the first one to describe wines and food in a very personal way, a very personal style and belonged to him only, genuine and credible only in case it was created by the pen of Veronelli.

“Passeggiata Luigi Veronelli” as seen from Gaetano De Castilla street

 Also unforgettable, the TV shows in which he took part, such as the well known “A tavola alle sette”, with the Italian actress Ave Ninchi and, before her, Delia Scala and Umberto Orsini, including the extraordinary “Viaggio Sentimentale nell'Italia dei Vini” (sentimental journey to the Italy of wines). This latter TV shows has been a fundamental moment for Italian wine - it was 1979 - a report, sometimes provocative, about the condition of wineries and vintners of that time. Not to mention the huge production of books, reports and articles Luigi Veronelli has written in the course of his career and, it should be said, not only about wine. Luigi Veronelli was also involved in writing about gastronomy and olive oil, as well as philosophy and politics. On this regard, it should be noticed Luigi Veronelli was graduated in philosophy and he also had the chance to attend some lessons of Benedetto Croce in Milan, something which influenced his political views.

 Milan, the city where he was born, ends the year dedicated to Luigi Veronelli with many events, also by dedicating to him a street in his Isola district. A right tribute finally paid to this great figure of the 1900s, someone who played a fundamental role in reevaluating and revolutionizing the culture of wine and food in Italy. A way to let Milanese people keep a memory about one of the greatest sons of their city, by walking a street which is quite busy already and leading to Gae Aulenti square, an important meeting place of Milan. I wish Milanese people, by walking this street, to take a look to the plates at the sides of this promenade, in order to remember about Luigi Veronelli, journalist and writer. A wish also to all Milanese youngsters - who are used to speed this promenade with their skate boards, rollers and bicycles - in the hope they will at least ask themselves who was the man to whom this street was dedicated to. Because it is youngsters turn, today, to benefit from the teachings of Luigi Veronelli and to perpetuate his job, a giant of enogastronomy and a free man, in his life, thoughts and ideas.

 This month we are going to pour in our glasses two white wines from Friuli Venezia Giulia and produced with two of the most well known white berried grapes of this land. This Northern-Eastern region of Italy offers a view of grapes and lands pretty singular, certainly among the most famous wine lands of Italy and successful in the world. In particular famous for its white wines, Friuli Venezia Giulia, besides having in its vineyards international varieties, offers a remarkable selection of wines produced with genuine indigenous grapes. The bond of Friuli Venezia Giulia to white grapes is strong and historical, despite today are red grapes cultivated in this region to be successful in Italy and abroad. White wines of Friuli Venezia Giulia, and therefore its indigenous and international grapes, play in fact a fundamental role in the wine making scene of Italy.

 There are many grapes cultivated in this region and all having an extraordinary enological value, with a production virtually embracing every wine style, from dry whites to sweet wines made from dried grapes. Among the white berried grapes, there is one to be particularly notable, that is the grape now called Friulano, because of the recent happenings which forced the grape to change its name after having been called Tocai Friulano for a very long time. It is the only glory of Friuli Venezia Giulia, as there are many grapes which made this region famous, such as the whites Ribolla Gialla, Verduzzo, Malvasia Istriana and Picolit, the reds Refosco dal Peduncolo Rosso, Schioppettino, Pignolo and Tazzelenghe. In the region are also found international varieties, widely introduced to this territory, as well as all over the Northern-Eastern part of Italy, after the unlucky effects of phylloxera. The spreading of international grapes is still today important and they are in fact widely found in many Denominazione d'Origine Controllata wines of this region.

 Friulano received quite a lot of attention in recent times because of the long controversy it had with the Hungarian wine Tokaji, at the end of which was decided the change of its name. Because of this decision, as of March 2007, the glorious Tocai Friulano - frequently called in short as “Tocai” - had to change its name into Friulano, after having pondered the possibility of calling it Tai. Friuli Venezia Giulia tried, with no success, to oppose to this decision, however as of vintage 2008 in the labels of bottles the mention Tocai Friulano has been replaced with Friulano. Of course, the glory and greatness of the grape did not change despite it had to change its name. It should however be noticed none of the grapes used for the production of Hungarian wine Tokaji - the most famous of them is Furmint - has a connection to Friulano as they are absolutely different varieties.

 Wines produced with Friulano gives to the sense of the taster typical qualities capable of giving them a remarkable personality. Bitter almond certainly is among the main olfactory sensations which can be perceived from a glass of Friulano, a quality that - it should be said - shares with other grapes as well. Wines produced with Friulano can be appreciated for a pleasing and slightly bitter taste perceived after having swallowed the wine. Most of the wines produced with this grape are dry, however there also are examples of sweet wines. Friulano is particularly found in Friuli Venezia Giulia, its homeland. It should also be noticed this grape is found, although marginally, in Veneto - it is found in Bianco di Custoza wines - and in Lombardy is used for the wines of San Martino della Battaglia. Friulano is generally vinified in inert containers - in order to keep its characteristic aromas of bitter almond - and sometimes it is fermented and aged in cask as well.

 The history of Malvasia Istriana is different, better to say, of Malvasia grapes as with this name are generally identified a pretty vast family of grapes. It is a very ancient varieties which have always been successful, catching the attention of men since the dawn of wine history and of which are found many mentions in documents of the past. The name Malvasia comes from the Greek city of Monemvasia, in the Peloponnese, where the famous wines produced in this area were shipped all over Europe. The name Monemvasia has been changed in the course of time and became Malvasia, a term used for calling the wines recalling the original wine making style of this Greek city. The spreading of Malvasia grapes is vast, and only in Italy can be counted many varieties having this name, both white and red berried grapes.

The straw yellow color of Colli Orientali del Friuli Friulano

 Grapes belonging to the family of Malvasia are considered, in general terms, semi-aromatic varieties, that is capable of making wines with sensorial qualities recalling grape juice, although not dominant. This characteristic is found in wines produced with the varieties called Malvasia, however this is not true for Malvasia Istriana, as it represents an exception to this quality. If it is true in wines produced with Malvasia can be perceived the aroma of grape, the same found in Muscat blanc, this is a quality missing in Malvasia Istriana. Of the Malvasia grapes, the Istriana has the quality of making wines with a moderate body yet elegant, in particular those made from grapes cultivated in plain lands. Malvasia Istriana is particularly found in Collio and Carso areas - here are being produced the best expressions of the region - and it is also cultivated in the neighboring Slovenia and Croatia where it is known as Malvazija Istarska. Just like Friulano, Malvasia Istriana is mainly vinified in inert containers and the production in cask is not so common.

 Our tasting by contrast will examine a Colli Orientali del Friuli Friulano and a Collio Malvasia. It should be noticed that, in general terms, in bottles of Malvasia is rarely written the term “Istriana”, a characteristic which must be considered implicit, as it is exclusively made with Malvasia Istriana. In choosing our wines we will pick two bottles vinified in inert containers, possibly in steel tanks, in order to better appreciate the specific qualities of the grapes. Getting two wines with these characteristics should not be difficult as the vinification in inert containers is what it is mainly adopted for both varieties. The two wines must belong to the most recent vintage, therefore we will focus on the comparison of young wines. Our Colli Orientali del Friuli Friulano and Collio Malvasia will be served in tasting glasses at a temperature of 10 °C (50 °F).

 After having poured the two wines in the glasses, let's begin our tasting by contrast from appearance analysis, that is the phase in which is being evaluated color and transparency. We will begin the examination of the appearance by evaluating the glass of Colli Orientali del Friuli Friulano. Let's tilt the glass over a white surface and observe the wine at the base. The color Friulano shows to our sight is an intense and briliant straw yellow, frequently showing a hue of greenish yellow. Nuances of Friulano, observed at the edge of the glass, show a greenish yellow color, also a proof of the young age of the wine. The color of Collio Malvasia is evidently paler than Friulano: in this case it is the greenish yellow color to be mainly seen, brilliant and intense, sometimes showing straw yellow hues. Nuances of Malvasia is not so different from what we already observed at the base of the glass, by confirming an evident greenish yellow hue.

 The aromas expressed by Friulano and Malvasia Istriana give to the sense of the taster olfactory profiles in which can be perceived remarkable differences. One of the dominant qualities of Friulano is expressed by a strong aroma of bitter almond, a characteristic very appreciated in wines produced with this variety. It should be said the bitter almond aroma is also perceived in other varieties, mainly white berried ones, and it is also possible to find it in red grapes. Of course, there is more than bitter almond in Friulano, an olfactory profile in which are expressed aromas of white and yellow fruits and flowers. The olfactory profile of Malvasia Istriana substantially differs from Friulano, however expressing in its wines interesting aromas of fruits and flowers. The aging in wood of wines produced with these two varieties, although this is not so common, adds tertiary aromas sometimes covering the typical qualities of the two grapes. For this reason, it is thanks to the skill of producer to keep the personality of Friulano and Malvasia Istriana by adding, at the same time, complexity to the aromas of wine.

 Let's start the evaluation of aromas from Colli Orientali del Friuli Friulano. By keeping the glass in vertical position and without swirling, let's proceed with the first smell in order to appreciate the opening of wine. From the glass will be perceived, strong and clean, the characteristic aroma of bitter almond, well mixed to sensations recalling white fruits. Specifically, Friulano gives opening aromas of apple, pear and bitter almond. After having swirled the glass, let's tilt it and smell: the wine will complete its olfactory profile with hawthorn, peach, broom, plum, pineapple and, sometimes, hay. Let's now pass to the opening of Collio Malvasia. The first smell will bring to our senses aromas of apple, peach and hawthorn, very different from Friulano. It will be noticed the absence of bitter almond, as well as hints of grape juice, sometimes found in grapes belonging to the Malvasia family. After having swirled the glass, the olfactory profile of Collio Malvasia is completed by pear, plum, apricot, citrus fruits, as well as sensations of tropical fruits such as pineapple and banana.

 The tasting of the two wines reveals substantial differences, not only in the taste but also in tactile sensations, structure in particular. The attack of Colli Orientali del Friuli Friulano is characterized by a pleasing crispness and structure. In the mouth can be perceived the good correspondence to the nose, in particular bitter almond, apple, plum and peach. The attack of Collio Malvasia too has a pleasing crispness but, as opposed to Friulano, the perception of structure is evidently lighter, however having a remarkable agreeableness. Correspondence to the nose is very good and it will be possible to perceive clean flavors of apple, peach and pear, sometimes pineapple. In both cases it is evident the role played by alcohol - it can easily be as high as 13% - giving balance to the crispness of both wines and making them particularly dry.

 The final part of our tasting by contrast continues to reveal substantial differences between Friulano and Malvasia Istriana. The finish of Colli Orientali del Friuli Friulano is still characterized by the flavor of bitter almond, also giving the wine its typical slightly bitter aftertaste, a pleasing quality in case it is not excessively intense. Persistence is generally very good, leaving in the mouth, besides the aforementioned bitter almond, flavors of apple, plum, peach and pear. A different finish is given by Collio Malvasia in which can be appreciated its pleasing crispness, with a good persistence characterized by the flavors of peach, apple, plum and pineapple. The sensation of structure is different in both wines: the finish of Friulano leaves to the mouth a more robust sensation of body than Malvasia Istriana. They however are agreeable and immediate wines, most of the times produced in order to favor the very good agreeableness the two varieties from Friuli Venezia Giulia can give to their wines.

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